Sunday, April 20, 2008

Everyday is Like Sunday, Except for Blue Monday and Ruby Tuesday, and...Well, Friday I'm in Love: Weekly Mix #13

So, lucky weekly mix number thirteen...and it's the inevitable C86 mix. Many others have written about the legendary C86 cassette from NME (after all, there's even an excellent blog called Indie MP3 - Keeping C86 Alive), and I doubt I have anything particularly new to add to the discussion. However, it continues to amaze me how one mail-order cassette spawned a genre, a scene, and an attitude toward music. Though NME had released a cassette five years earlier in conjunction with Rough Trade, appropriately titled C81, it never gained the same mythical status despite the fact that the artists featured on it, including Scritti Politti, Orange Juice, The Specials and Buzzcocks, were far more successful. In contrast, C86 included the likes of The Shrubs, Close Lobsters, and The Servants - not exactly well-known or long-lived. In fact, the only bands on C86 that really seem to have achieved longevity were Primal Scream, The Wedding Present and Half Man Half Biscuit.

Whether you call it jangle pop or twee or just plain shambolic, these artists came to represent the ultimate DIY aesthetic. Although the term C86 has come to mean almost exclusively twee, the actual original compilation featured many bands with an edgier sound. What is perhaps more important than whether these bands all fit into the same genre of sound is the way they came to define what it meant to be truly indie when indie still felt like a pure concept. Indie has become a completely irrelevant and bastardized term with the majority of those classified as indie actually on major labels and mainstream radio. However, with the advent of music blogs, there has been an increase in exposure for truly independent bands and even unsigned bands. In my perfect world, every band would be able to produce, distribute and promote their own music without overblown intervention from businesspeople. So while bands like Belle and Sebastian may owe their sound to C86, countless other bands owe their philosophy to it. Philosophically, C86 was like punk for the '80's.

The original tracklisting for C86 was:

Side One

Primal Scream - "Velocity Girl"
The Mighty Lemon Drops - "Happy Head"
The Soup Dragons - "Pleasantly Surprised"
The Wolfhounds - "Feeling So Strange Again"
The Bodines - "Therese"
Mighty Mighty - "Law"
Stump - "Buffalo"
Bogshed - "Run to the Temple"
A Witness - "Sharpened Sticks"
The Pastels - "Breaking Lines"
Age of Chance - "From Now On, This Will Be Your God"

Side Two

The Shop Assistants - "It's Up to You"
Close Lobsters - "Firestation Towers"
Miaow - "Sport Most Royal"
Half Man Half Biscuit - "I Hate Nerys Hughes (From The Heart)"
The Servants - "Transparent"
The Mackenzies - "Big Jim (There's no pubs in Heaven)"
Big Flame - "New Way (Quick Wash And Brush Up With Liberation Theology)"
Fuzzbox - "Console Me"
McCarthy - "Celestial City"
The Shrubs - "Bullfighter's Bones"
The Wedding Present - "This Boy Can Wait"

Twenty years after the original C86, a double-disc CD, compiled by Saint Etienne's Bob Stanley, was released as CD86. Rather than a re-release of the original compilation, it celebrated many of the artists that weren't originally on the C86 tape, but that nevertheless were considered part of the C86 scene. While it still included the odd track from the original (Primal Scream's Velocity Girl, The Wedding Present's This Boy Can Wait) and alternative tracks from most of the original bands, it also included the likes of The Jesus and Mary Chain, The Pooh Sticks, Talulah Gosh, The June Brides, and The Darling Buds. Keeping with this idea, but expanding yet further to include other British indie bands of the '80's, I made my mix with some original C86 tracks, some tracks by original C86 artists (both the cassette ones and the CD ones), and then some other bands like Felt, Bubblegum Splash, and the superbly named Dalek Beach Party. Many of them are a little rough around the edges and quirky, but that's their charm. I'm going to call this mix I Don't Need Anyone, No Not Anyone At All. Perhaps C86 has become myth because it represents an ideal and and an innocence that seems pretty much impossible in the realm of the music industry.

Velocity Girl - Primal Scream

Plastic Smile - Bubblegum Splash

Close My Eyes - Strawberry Story

Penelope Tree - Felt

Wee Timorous Cowering Beastie - Dalek Beach Party

Charlton Heston - Stump

This Boy Can Wait - The Wedding Present

Disdain - Kind

He's Frank (Slight Return) - The Monochrome Set

This Town - The June Brides

I'm On the Side of Mankind As Much As the Next Man - McCarthy

Nothing to Be Done - The Pastels

Hit the Ground - The Darling Buds

Stop Killing Me - The Primitives

Happy Head - The Mighty Lemon Drops

Whole Wide World - The Soup Dragons

Safety Net - Shop Assistants

Transparent - The Servants

The Revolutionary Spirit - The Wild Swans

You're Kidding Aren't You - The Field Mice

Apple Orchard - Bouquet

It's a Fine Day - Jane


JC said...

Great mix.....there were just a couple i didn;t know....and it turns out one of them was something else.

For some reason...June Brides has been transformed into somethig by We Are Scientists.

anglopunk said...

Whoops...sorry about that. I must have copied the wrong link for The June Brides - I fixed it now.

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